He actually has the first verse on the album. After that DJ Premier flew out to work on the record, and it’s now what you hear today. It went from Dre thinking the song was dope to him saying, “I want to work on this song with you or whatever you’re doing with it.” Then it went to “Can I have this for the album?” They said of course. We have to play this for Dre.”Įveryone piled in the studio, and I played it. Then he played “Animal” which had another title at the time. When they came back, Adrian was playing me stuff. They worked on some records while out there. I think the first song they worked on was “All In A Days Work.”Īnderson went to Russia to do a show with DJ Premier. Ty had a relationship with Anderson’s manager Adrian, and he called him in. I plugged up for my phone and played the song. Mez, Justus, Ty, The D.O.C, and Dre were all in the studio. They had one song out called “Suede,” and I’m a huge fan of the record. Tay had talked about him to Dre, but he probably had not played him the right record. “Animal” is actually a song that I heard and thought, “They have to hear this.” I kind of brought Anderson into the whole situation with Dre.
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That’s how I figured out how to hear something and say, “Dre might be interested in this.”ĭo you remember a particular track that stood out to you that actually made the album? Being around that for months conditioned my ears to be able to find stuff they might have been interested in. With this being Dre’s first album in 16 years, what was the process for deciding what sounds and artists you were going to present to Dre for possible placement on the album?īefore I got the official title from Ty, I’d just be in the studio hearing things they’re working on, beats that are getting shot down, and beats that were lifting their ears up. Get you one! #AftermathĪ video posted by Drewski on at 1:08pm PDT He would show us dailies, then go in the lab and create some amazing music.Īs an A&R, you were responsible for finding production and talent for the album.
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He would leave the movie set at night and go straight to the studio to work on music. Dre was inspired on the set of Straight Outta Compton. There were probably two records on the album that were made before I was around the situation. Īt what point did you join the process in the creation of Compton? Dre and the unexpected journey his life has taken over the last year. Ī spoke with Corria about his role in crafting the sound of Compton: A Soundtrack By Dr. Cannon later took Corria under his wing and eventually assigned him the duty of helping to find production and artist placement for Compton. Fortunately, his prior close relationship with Mez eventually led to Drewski meeting Tyheim “Ty” Cannon – head of A&R at Dre’s Aftermath Entertainment. without a job or a place to live waiting for him. The 26-year-old Providence, Rhode Island native went from throwing parties in high school to serving as A&R Coordinator on Dre’s third studio LP.
Paak, King Mez, and Justus.Īnother young talent that has emerged from the creation of Compton is Andrew “Drewski” Corria. The project was also responsible for shining a light on the crop of up-and-coming performers Anderson. Dre reintroduced the legendary Los Angeles producer as an artist to a new generation of music fans. For the first time in 16 years, the world got to hear a new album from Dr.
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